Solaf Fawakherji responds to the attack on the Chicago Street poster

Solaf considered the poster of the movie “My Father Over the Tree” by the two stars Abdel Halim Hafez and Nadia Lutfi as evidence that the artworks have a special moral logic, and commented on the picture through her account on the Instagram website, saying: The posters of the most famous films of the fifties and sixties starring the big stars … At a time when every human was a watcher of It was a time in which there were morals, upbringing, a taste for art, understanding and comprehension, and most important of all, there was no lack of morals, no harassment, nor the crimes that we hear about every day.

The reason for the dispute between Solaf Fawakherji and Karis Bashar to the front again

She added: Our Lord has distinguished man with reason so that he thinks, thinks, reflects, and tastes, and art in general delivers a message, and every recipient absorbs the message according to his background and perception, exactly like those who attack statues and sculpture under the name that they are idols...

And she concluded by saying: In the end, every viewer has the freedom to accept or not accept, but only from other than his sources and do not transgress others.... All the best and looking forward to Chicago Street.

It is reported that the series “Chicago Street” was scheduled to be shown during the Ramadan 2020 season, and it was postponed after filming stopped, subject to precautionary measures to prevent the spread of the Corona virus, and after lifting the curfew, filming was completed and it was decided to show it through one of the encrypted satellite channels starting from July 26.

The series “Chicago Street” includes a group of Syrian drama stars, including Duraid Lahham, Amal Arafa, Abbas Al-Nouri, Shukran Murtaja, Nazli Al-Rawas, Mihyar Khaddour, Nadine Salama, Nadine Khoury, Hoda Shaarawy, and produced by Qaband Artistic Production Company, written and directed by Mohamed Abdel dear.

The events of the series revolve around the story of a Damascene girl who escapes with a popular hero to confront society and the authorities that pursue her in the sixties, where she resorts to Teatro on the famous Chicago Street, which at the time represented the civilized and contemporary extension of the Damascene society. The conflict ends with a mysterious murder whose threads are revealed at the present time by an investigator He stumbles upon the case file, and the two time periods turn into mirrors that reflect stories of struggle, love, sacrifice and beauty.